2017年に通算3作目のフル・アルバム『The New Monday』をリリースした、現代エレクトロニック・ミュージック・シーンのキーマンのひとり、デトロイトを拠点に活動しているトラックメイカー／ドラマー、Zach Saginawによるソロ・プロジェクトShigetoのTHE STAR FESTIVAL 2018への出演が決定！

第2弾のラインナップとして発表されました。
詳細は以下のアナウンスをご確認ください！

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『THE STAR FESTIVAL 2018』の第2弾アーティスト発表と各チケットの一斉販売開始のお知らせになります。

第２弾のアーティストにビート～エレクトロニック・ミュージック・シーンのキーマン”SHIGETO”。
ブレイクビーツの進化系、SabreとStray、Halogenixのドリーム・チーム・ユニット”IVY LAB”。
気鋭ビートメイカー”SUBMERSE”,UKマンチェスターサウンドの実力派”JONNY DUB”が追加出演決定！

2018年も5月19日、20日の2日間。
会場はお馴染み、京都の大自然の中の広大な森林公園「スチールの森ひよし」にて開催。
前売入場券(¥8000)**枚数限定、グループ入場券の発売が2月1日から開始！！

THE STAR FESTIVAL 2018

開催日時
2018/5/19(土) 8:00 open / 9:00 start
2018/5/20(日) 17:00 close

Line up(A to Z)
FUMIYA TANAKA
IKONIKA
IVY LAB-new-
JIMMY EDGAR
JONNY DUB-new-
SHIGETO-new-
SUBMERSE-new-
and more!

開催会場
スチール®の森 京都
http://forest-hiyoshi.jp/
〒629-0334 京都府南丹市日吉町天若25番地

オフィシャル web site :
http://www.thestarfestival.com/

facebook page :
https://www.facebook.com/THESTARFESTIVAL/

twitter :
https://twitter.com/starfestival_

前売りチケット
楽天チケット http://r-t.jp/tsf
チケットぴあ P-CODE(782-993 / 駐車場 : 782-992)
ローソンチケット L-CODE(54045 / 駐車場 : 54132)
イープラス http://eplus.jp
RA チケット https://www.residentadvisor.net/events/1043294

[前売] ステージ1 入場券 ¥8,000 | グループ割 入場券(4枚組) ¥30,000 | 発売期間 2/1~2/28
[前売] ステージ2 入場券 ¥8,500 | グループ割 入場券(4枚組) ¥33,000 | 発売期間 3/1~3/31
[前売] ステージ3 入場券 ¥9,000 | グループ割 入場券(4枚組) ¥35,000 | 発売期間 4/1~5/18
[前売] 駐車券 ¥1,500 | 発売期間 12/1~

当日チケット

入場券 ¥10,000 | 駐車券 ¥1,500 | 発売期間 5/19~5/20

 

SHIGETO

デトロイト在住のトラック・メイカー/ドラマー、Zach Saginawによるソロ・プロジェクト。かつてはSchool of Seven Bellsのサポート・ドラマーとして活動したこともあったが、現在は自身のソロ活動に専念している。幼少期からジャズ・ドラマーを目指すが、友人から勧められたSquarepusherを聴きエレクトロニック・ミュージックに開眼し、トラック・メイクを始める。そしてデジタル・レーベルMoodgadgetで作品をリリースした後、名門Ghostly Internationalと契約。現在までにリミックス盤を含むEPを4作、ミニ・アルバムを1枚フル・アルバムを3枚リリースしている。Star Slinger、Mount Kimbie、Matthewdavid、Bonobo、Tychoなど多数のアーティストとツアーを回り、ジャズ・カルテットへの参加、多数のリミックス・ワークなど、多岐にわたる活動をしており、ビート～エレクトロニック・ミュージック・シーンのキーマンとしてその存在を確立している。また、エレクトロニクスと生ドラムを駆使したアグレッシヴなパフォーマンスは各所で絶賛されている。近年は自身のレーベルPortage Garage Soundsを立ち上げ、ヴァイナルをリリースしている他、デトロイトのヒップホップ・アーティスト、ZelooperZと共にサイド・プロジェクト、ZGTOを始動させる等、活発な活動が目立つ中、2017年に通算3作目となるフル・アルバム『The New Monday』をリリース。そのデトロイト愛に満ちたサウンドは各所で絶賛されている。

Artists take on pseudonyms for a multitude of reasons, but in Zach Saginaw’s case, those reasons run deeper than most. Zach records under the name Shigeto. It’s his middle name; it’s also his grandfather’s name, a tribute to the Japanese branch of Zach’s family tree. Shigeto also means “to grow bigger”—appropriate, given Zach’s premature birth-weight of less than a pound. Today, Shigeto stands for Zach’s vividly beautiful electronic music. Beat-driven but given to richly textured sound design, rhythmically fractured but melodically sumptuous, Shigeto’s music is a bridge between the past and present, bringing the artist face to face with a creative legacy that spans decades.

Zach was brought up on a steady diet of Michigan-bred music, as his father spoon-fed him old Motown and jazz records by the crateload. Zach picked up the drums at an early age, spending much of his childhood playing in the Detroit/Ann Arbor music scene. After nearly flunking out of high school—save for his music studies—Zach spent three years studying jazz at the New School in NYC and three more in London, where he began woodshedding, obsessed with learning electronic production. Soon enough, beats materialized, Zach moved to Brooklyn and took up the name Shigeto, and Zach’s peers began to take notice.

Zach’s body of work has grown over the last few years to the tune of several EPs on Moodgadget as Shigeto and with A Setting Sun,

a pair of EPs under the alias Frank Omura (another family-name reference), and remixes for Worst Friends, Praveen & Benoit, Tycho, Mux Mool, Charles Trees, A Setting Sun, Beautiful Bells, Shlohmo, and more. The Semi-Circle EP and What We Held Onto EP were his first releases with Ghostly International in the spring of 2010. These were followed quickly by the well-received full-length Full Circle and Full Circle Remixes in late 2010 and early 2011 respectively. These releases are nominally indebted to instrumental hip-hop but, like Zach, straddling many worlds at once. Cool shades of ambient music, stuttering early IDM, dubstep sub-bass, and jazz melodicism color Shigeto’s palette, which he wields with a painterly attention to detail.

Zach continues to be prolific with the upcoming 2012 release, Lineage—a mini-LP of sorts that has a complex constellation of sounds and ideas that we have come to expect from the producer/drummer. However, his compositional focus and restraint grounds songs that are otherwise cosmically inclined. Never has he demonstrated such complete command of his material.

Shigeto was one of the first of a wave of young artists who grew up influenced by the label’s early output. And again, names come into play. “Putting out these records on Ghostly isn’t just ‘getting signed,’ for me,” says Zach, “it’s becoming part of a family, an influence that I’ve respected forever.” Let’s just say the feeling’s mutual.

http://iamshigeto.com/
https://www.facebook.com/pages/SHIGETO/349930070025
https://twitter.com/#%21/__SHIGETO
https://soundcloud.com/shigeto

 

Ivy Lab

前衛的なビートを提供し続けるブレイクビーツの進化系、SabreとStray、Halogenixのドリーム・チーム・ユニット”IVY LAB”

Critical Recordingsや、自身のレーベル20/20 LDNからベース・ミュージックにプラスアルファのエッセンスを加えた鮮烈なトラックを次々とリリース！

North London trio Ivy Lab were brought together out of a shared enthusiasm for experimentations on the fringes of the Drum’n’Bass scene. Several years on from that initial coming together, the collective go from strength to strength earning a place in ‘The top 10 DJ’s of 2015’ (Mixmag) and propagating a new generation of sub-genres housed within the framework of their ’20/20 LDN’ project.

Boasting a crew comprising of both recently established and veteran talent; the individual Ivy Lab members have enjoyed a rich vein of success, for some of them dating back a decade and spanning feats ranging from remixing the Mercury nominated Kate Tempest, to engineering and remixing for Goldie, to soundtracking for American History X director Tony Kaye.

Collective-elder Gove Kidao (Sabre) had been plying his trade since the mid noughties for labels such as Critical Music, Metalheadz and Renegade Hardware. J Fogel (Stray) commands an inventive catalogue of music primarily for Exit Records, noted for its early-adoption of themes that have gone on to codify the ‘Halftime’ movement. Laurence Reading (Halogenix) is the most recent of the trio to leave his mark with his widely celebrated “All Blue” and “Her Waves” E.P’s, and an established song-writing relationship with hotly tipped British singers Wolfie & Roses Gabor.

Ivy Lab first came to prominence around 2012 as a drum’n’bass act working predominantly for the Critical Music label through which their anthemic debut single “Oblique” was released. Tracks like “Live on your smile” , “20 Questions” & “Make it Clear” alongside a series of well-received remixes for artists and labels including Sub Focus (Universal), TC (3beat) and Anushka (Brownwood) further captured the trademark soulful-cum-melancholic sound the trio had become celebrated for.

Several years on from their initial offerings, the collective now find themselves at the apex of the ‘Halftime’ movement – A motley assortment of actors from across the bass music landscape applying their sonic-heritage to experiments with hip-hop and drum machine electronica. Both Ivy Lab and the halftime movement enjoyed a landmark moment with the release of the “Sunday Crunk” remix which travelled way beyond its status as Beatports best selling drum’n’bass track of 2015 to become one of the years most played tracks by DJ’s of all persuasions.

The trio further piloted the exploration of this new sound with the birth of the ‘20/20 LDN’ clubnight. A year after it’s launch at a humble 200 cap gig venue, the event was drafted into the Columbo Group empire and now resides at their flagship South London premises Phonox where it has been described as “ultra innovative” (Timeout Magazine) and a “London standout” (Mixmag).

The pioneering spirit on show at the clubnights served as the raison d’être for the 20/20 LDN record label; minted in 2015 and launched with the pseudo-mixtape/compilation LP “Ivy Lab presents 20/20 Volume.1” – described as “uncompromising, insightful and rather awesome : 9/10” (Mixmag) and “impossible to categorise : 9/10” (DJ Mag) . A galvanising moment in the progression of both the Halftime movement and the Ivy Lab collective; The trio take the currency earned from the Volume.1 LP on the road for the 2016 summer season with showpiece appearances at Glastonbury, Sonar, Boomtown, Bass Coast and Lovebox, with main stage appearances at both Exit and Outlook festival.

Ivy Lab head into the horizon not only with an anchored presence at the cutting edge of the bass-music landscape, but also a secured reputation as pioneering label bosses & event promoters in ownership of one of the UK’s most exciting contemporary music brands.

https://twitter.com/ivylab_
https://www.facebook.com/IvyLab/
https://soundcloud.com/ivylab

 

Submerse

イギリス出身のsubmerseは超個人的な影響を独自のセンスで消化し、ビートミュージック、ヒップホップ、エレクトロニカを縦横無尽に横断するユニークなスタイルを持つDJ／ビートメーカーとして知られている。これまでにベルリンの老舗レーベルProject: Mooncircleなどから作品をリリースしている。SonarSound Tokyo2013、Boiler Room、Low End Theoryなどに出演。
また、Pitchfork, FACT Magazine, XLR8R、BBCといった影響力のあるメディアから高い評価を受ける。2017年に90年代のスロウジャムやヒップホップを昇華させたニューアルバム『Are You Anywhere』をリリース！

https://twitter.com/submerse
https://soundcloud.com/submerse

 

 

JONNY DUB (LEVELZ/HOYA:HOYA)

ChunkyやFox、Krystal Klearを擁するマンチェスターサウンドの震源地パーティー「HOYA:HOYA」主催。かつ、THE WAREHOUSE PROJECTや、ロンドンのFABRICLIVE、話題のLEVELZなど、ビッグパーティーでもレジデンスを持つ実力派である。ヒップホップ、ハウスからソウルにレゲエ、ベースミュージック…と、真にエクレクティックなプレイで幅広いジャンルを横断し、BBC RADIO1、1Xtra、RINSE FM、NTS Radioなど主要ラジオ局でもスピン。自身のパーティーで共演したアクトは、Flying Lotus、Four Tet、Shackleton、Dam-Funk、Oneman、Gaslamp Killer、Ben UFO、Loefah、Hudson Mohawk、Lorn、Degoなどなど、現在のエレクトロニックミュージックの最前線の顔ぶれが並び、いかにボーダレスな感性でシーンを牽引しているかが窺い知れる。 2016年1月、LEVELZとしてBiome、Metrodome、Bricks、Chimpo、Sparkz、Skittles、Dub Phizixらのトラックを収録した”LVL 11”をBandcamp上でリリース。 LEVELZとして本国OUTLOOK、Red Bull Culture Clash in Manchesterへもラインナップされている。

Founder of Hoya:Hoya, Jonny Dub has been a dominating figure within Manchester’s creative scene for some time. He currently holds residencies at the biggest parties in the city including The Warehouse Project, Hit&Run & Levelz, as well as holds a quarterly residency with his club night Hoya at Fabric Live in London. From Hip Hop to House, Reggae to Soul, Electronica to Grime and beyond, Jonny manages to seamlessly blend genres together with skill of a seasoned artist. He has shared the stage with the biggest names in the Underground scene, including the likes of Flying Lotus, Four Tet, Shackleton, Dam-Fun, Oneman, Gaslamp Killer, Ben UFO, Loefah, Hudson Mohawk、Lorn, Dego, MF Doom, Jurassic 5, Bonobo and Gaslamp Killer.

https://twitter.com/jonny_dub
https://www.facebook.com/pages/Jonny-Dub/171503959566763
https://soundcloud.com/jonnydubhoya-hoya